The Church of Hosios David also referred to as the Latomou Monastery and Suluca Mosque, is a late 5th-century church in Thessaloniki, Greece. In Byzantine times, it functioned as the katholikon of the Latomos Monastery and received a rich mosaic and fresco decoration, which was renewed in the 12th–14th centuries. The surviving examples are of high artistic quality. Under Ottoman rule, the building was converted into a mosque (probably in the 16th century), until it was reconsecrated as a Greek Orthodox church in 1921, receiving its present name. In 1988, included among the Paleochristian and Byzantine monuments of Thessaloniki on the list of World Heritage Sites by UNESCO. The marble decoration in the Church of Hosios David depicted crosses, vines and leaves in swirling detailing.

The mosaic of the Theophany is a significant and detailed mosaic in the Church of Hosios David. It is in a naturalistic style depicting Christ holding a text saying in Greek, “Behold our God, in whom we hope and we rejoice in our salvation, that he may grand rest to this home”. The mosaic contains symbolism indicating the Evangelists are depicted. The mosaic representing the Theophany is in a naturalistic style. The mosaic is very complex, with a detailed border, and a lot of elements within the scene. The focus of the image is Christ as shown by his gaze, his position in the center and the halos surrounding Christ’s head and body.

Byzantine murals were discovered under the plaster at the Church of Hosios David. These murals are what is left of extensive fresco paintings from the middle Byzantine period approximately 1160-70. The east part of the south and north barrel-vaults contains depictions of the nativity, the presentation in the temple, our lady of the passion, Christ on the mount of olives, entry into Jerusalem, theophany, and decorative panels meant to resemble marble slabs. The south barrel has the rest of the nativity and presentation in the temple. This area also depicts images of the baptism and transfiguration. The Church of Hosios David contains few borders between the different fresco scenes, which is an uncommon feature for this time period.

Most of the frescos were created during the middle Byzantine period. The frescos: our lady of the passion, the entry into Jerusalem, and Christ on the Mount of Olives are likely later, during the Palaeologan period, approximately c. 1300. Many of the frescos today are damaged because of effects of time such as: earthquakes, cracking, water damage, and the plaster applied to cover them in the Turkish era.

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